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иZ(y)u(png)

r(sh)g2021-10-25 11:36:00   (li)Դo(w)nW(wng)     [wС ]
#ӢZ(y)Z(y)# #иZ(y)u(png)#иZ(y)ԇu(png)ֵĸߵȡQS(g)CҪȡÝMijɿ(j)ǽY(ji)иZ(y)u(png)Ҫ(li)(zhn)иԇ_(d)°빦Ч®o(w)nW(wng)иZ(y)u(png)gӭx




1.иZ(y)u(png)


1l(f)

y(tng)ĿZ(y)ԇ(dng)l(f)ǿռ˺ܴһиĿZ(y)ԇ(dng)УҕZ(y)Z(y){(dio)܉C~Ĝ(zhn)_l(f)ͨ^(gu)mZ(y)(50-80(g)~/10)M(jn)presentationʹٸ܉ı_(d)clearnessfluencyиZ(y)l(f)Ҫ@(g)Ƕȵķ?jn)?sh)0.5

2r(sh)g

45е1犵ĕr(sh)gdzy(tng)ԇ(dng)ˌ(du)˵ĿԇԿٿԵȵ(du)^c(din)_(d)֮ن(wn)һ(g)(wn)}иZ(y)ԇĕr(sh)gϵy(tng)O(sh)õ(hu)XĻϿӋ(j)r(sh)O(sh)r(sh)g͕(hu)Ԅ(dng)ֹֻͣDzһ(g)conclusion](mi)Ё(li)ü̫Ӱ(g)ش𣬵ɺ֧c(din)](mi)f(shu)͕(hu)(yn)Ӱ(g)?jn)?sh)ڴ(sh)Ї(gu)ԇm(yng)@Nwϵشr(sh)^(gu)ھoɲ֪ԓf(shu)ʲôǔm(x)m(x)`r(sh)g](mi)f(shu)ꡣ(yng)ԓ@澚(x)ԼO(sh)r(sh)gP(gun)Ԓ}M(jn)Ӗ(xn)(j)Y(ji)(gu)M(jn)presentation͕(hu)Ч޵ĕr(sh)gM(jn)гֵĻش

3񎟶(x)

ͨ^(gu)Լ(x)ԼJ(rn)^Mn̮(dng)ЌW(xu)(x)P(gun)Ԓ}(x)ώ(x)I(y)oώM(jn)дֺc(din)u(png)ȻM(jn)޸ĺڌ(sh)`Ы@ý(jng)(yn)ͼЧ;

иZ(y)ԇu(png)ֵĘ(bio)(zhn)ÿ}_(d)?jn)?sh)Ԓÿ}36}18֣D(zhun)Q24־͕(hu)pɫ@




2.иZ(y)Ҫe(cu)`

       ͨ^(gu)(x)Ŭ߂(g)f(shu)ӢZ(y)߿Z(y)ɿ(j)ĸһ(xing)J(rn)u(png)ֵĜy(c)ԇ(xing)Ŀ҂бҪ˽ETS(du)ڿZ(y)شĽoc(din)QԒf(shu)҂Ҫ֪Z(y)?jn)?sh)Щԭɵ

ԿZ(y)ڶ}҂ȁ(li)һETSٌ(du)һ(g)responsec(din)u(png)

This response is sustained and the speech is generally understandable. At times though the speakers pronunciation makes it difficult to understand the meaning of her ideas. She really gives only reason why she likes shopping. This reason is used repetitively without much elaboration. Shopping is something she likes very much and makes her feel better. She could have added complexity to her ideas by saying something like when I go shopping I usually go with friends and we have a good time together without thinking about jobs or schoolwork. She also makes some basic grammatical errors and uses a limited range of vocabulary.

@nj(du)һƪMiddle levelĿZ(y)شu(png)r(ji)҂yl(f)F(xin)Žׂ(g)(wn)}

l(f)Œ(sh)иZ(y)ԇڰl(f)HHҪİl(f)ǜ(zhn)_ļՓ(du)ij(g)~İl(f)DzНصĿֻҪ@(g)~Ԫl(f)(zhn)_f(shu)e(cu)?yn)ֻҪM@ɗlͿ_(d)makes ones ideas/meaning understandable Ҫ@һlɞӰ҂?ni)ֵҪء?/p>

(ni)ݣu(png)r(ji)ԓĿZ(y)ǃHHԼʲôϲgُ(gu)ԭ򣬵Ҳֻں(jin)ε؏(f)f(shu)Լϲgُ(gu)s](mi)øU(du)@һԭM(jn)U҂J(rn)@nj(do)Ї(gu)ʧֺĵձ鏊(qing)f(shu)seETS٣˵һ(g)^ǡf(shu)o(w){eCڻش^(gu)Ҫspeakerஔ(dng)?sh)ƪͨ^(gu)һ(g)w(li)CԼ֮ǰ^c(din)

Z(y)Z(y)(wn)}һ(g)Ҫʧc(din)Ҳf(shu)Z(y)ǿ?j)?ni)ȡٵģAľӡ(ni)ݳʵrZ(y)ϵʧ`ǿԱԭՏ;ǃ(ni)ݲf(shu)ò(du)ĕr(sh)Z(y)(hu)ɞ鿼ٿ۷ֵһ

ETSٌ(du)ijZ(y)}c(din)u(png)Ԟ

The speaker is fairly fluent and easy to comprehend. However there is some hesitancy or choppiness which seems to occur as she searches for ideas and do not because of linguistic breakdown. In this response the speaker has more difficulty using effective pause structure. She has a tendency to complete one thought and immediately begin the next without pausing in between. At times she then stops and restarts the next idea giving a somewhat rambling quality to the response. Minor but systematic grammatical errors occur but do not interfere with overall comprehensibility. The speaker states the womans problem clearly and with ease. Despite minor grammatical errors she supports her opinion with fairly sophisticated reason.

@c(din)u(png)(du)VO߅r(ji)ֵV҂?ni)Լl(f)Z(y)ԽM߀Ƿȱrfȡø߷@nj(du)һƪhigh levelĻشc(din)u(png)҂u(png)Փвyٌ(du)@οZ(y)߀Ĵ治MǽK߀ǽoһ(g)^ߵķ?jn)?sh)

֮̎҂ͨ^(gu)(du)ڲ֮̎ķ܉˽ETS挦(du)һZ(y)شr(sh)(hu)c(din)P(gun)עЩ

1. ̶ȡcǵ һ(xing)u(png)c(din)HHָ҂ڻش^(gu)DzdzF(xin)L(zhng)r(sh)gbreakǟo(w)Ԓf(shu)ͬr(sh)ҲҪҪһֱͣ؏(f)ͬһ(g)~(@һ(g)dzҊĬF(xin))؏(f)f(shu)ĶZ(y)

2. ߉݋cһZ(y)ĻشҲҪlf(shu)ĕr(sh)Ҫͨ^(gu)һЩP(gun)“(lin)~ ă(ni)M(jn)(f)ʹ @οZ(y)܉׾vʲô@Ӿ_(d)һ(g)(qing)ҵ̖(ho) ˡ@ETSĿ҂]һ(g)pause structureڻشһ(g)(ni)ݵĕr(sh)һ(g)ССͣDV һ(g)(ni)/^c(din)Ҫ_ʼˡ@ӾͿԏa(b)ش߉݋~İl(f)(zhn)`©Î(li)ʧ

(yu)(sh)֮̎M@λشдTe(cu)`ͲǃHHһһc(din)񞑣׌҂׷ʧ

(zhn)_ԣCϿZ(y)һ(g)c(din)ǿԇDz܉(zhn)_؏(f)conversationlectureеă(ni)@Ї(gu)ھCϿZ(y) ʧԭͨ^(gu)(du)c(din)u(png)Ľxyl(f)F(xin)҂Ҫľǡstate clearly and with easeֻҪ@c(din)}ĿҪ(f)ă(ni)ͬһN(jin)εķʽf(shu)(li)ôMĻشдһЩССZ(y)e(cu)`(despite minor grammatical errors)Ҳ(hu)Ӱȡø߷




32.иZ(y)Ĵ}r(sh)g

иZ(y)}r(sh)g?иZ(y)ԇr(sh)gǰӋ(j)ģԴڂ俼^(gu)ҪԼиZ(y)}r(sh)g(zhng)ȡ׌Լ޵ĕr(sh)gՓԼ^c(din)
һeز

֮M(fi)˴Ĵ}r(sh)gԭȱزڶ̕Ĝ(zhn)r(sh)gЛ](mi)kֹĴ𰸣˿ڂ俼^(gu)Ҫƽr(sh)ĕr(sh)gҕزĵķeڂ俼^(gu)п(yng)ԓƒɂ(g)֡

иZ(y)ԇM(jn)Ї(gu)ѽ(jng)NӵĂ俼YҲӳF@ЩYǿԎԼe۴}زĵ

ڶճиZ(y)ԇҪĿDz鿴ǷڱĴW(xu)ЌW(xu)(x)@ҲעиZ(y)ԇDz(hu)F(xin)һЩʮƫT}ĿǵĽ^(gu)΢Ę(gu)ɵȵȣij}}ĿǺճϢϢP(gun)Կڿԇĕr(sh)һr(sh)g벻(li)mزģͿԺԼČ(sh)HM(jn)“(lin)ϵTPO7task1 If friends from another country were going to spend time in your country, what city or place would you suggest they visit?пͿԏ߅eԼ@(g)طı^СBeijing DuckChinese Dumplings@(g)һЩ^Ľȵ

ŕr(sh)g

زĵķe֮߀(yng)ԓ(j)ͬ}ĿĴ}c(din)ȥŴ}r(sh)gиZ(y)task1пĴ}r(sh)gʮ@(g)}Ŀпش(wn)}c(din)ՓCôڂ俼ĕr(sh)g͑(yng)ԓ5ҵĕr(sh)gf(shu)꿂Փc(din)֮Ȼ40ҵĕr(sh)gՓɂ(g)Փc(din)task5п}r(sh)g60룬@}ĿĴ}c(din)ڿԼxԿڰŕr(sh)gĕr(sh)͑(yng)ԓc(din)Ѵ󲿷ֵĕr(sh)gpersonal choice,翼ڻشTPO5TASK5ĕr(sh)͑(yng)ԓ30ĕr(sh)g(li)ԼxI think the first is better, because that way she wont let the other group members down and the doctor said her wrist should be feeling better by then. Also, she says in the conversation that Jim is not reliable. If hes always late for the rehearsals, thatll compromise the whole performance. And thats unfair to the other group members who have been practicing for weeks.

պϢͷôҪиZ(y)ԇгÕr(sh)gôyģҪӾ(x)@ӲиZ(y)ԇȡÃ(yu)ijɿ(j)